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读《德寿宫八百年》有感

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读《德寿宫八百年》有感

　　读完一本经典名著后，大家一定对生活有了新的感悟和看法，不能光会读哦，写一篇读后感吧。是不是无从下笔、没有头绪？以下是小编帮大家整理的读《德寿宫八百年》有感，欢迎大家借鉴与参考，希望对大家有所帮助。

　　雪落德寿宫，再现宋风韵

　　Snow falls on Deshou Palace, recreating the charm of Song Dynasty

　　从一座皇家园林的旧物，领略风流南宋的诗酒余韵；从一座南宋宫殿的遗迹，眺望八百年前的大宋江山。

　　Experience the poetic and wine remnants of the Southern Song Dynasty from an old object in a royal garden; From the ruins of a Southern Song palace, gaze upon the Great Song Dynasty 800 years ago.

　　荒地？

　　Wasteland?

　　望江路以北，中河以东，直吉祥巷以西，梅花碑以南，作为杭州工具厂的旧址，这块位于杭州市中心的地块，竟年复一年，长起了野草。杭州人或许不知道的是八百年前，南宋绍兴三十二年，高宗离开凤凰大内，入住德寿官，而德寿宫便是这荒地在南宋的前身了。但显而易见，作为南宋的都城，杭州在这八百年的变迁下，留存下的物质文化遗产已不多见，南宋皇城荡然无存，整座凤凰山林木森然。那座曾经带着皇家气象的临安城，随着时代更迭与城市建设，如同光阴一般被层层叠压在地下。在地面之下，800多年前的临安城，在商业生活中留下了无数的遗迹，这些遗迹被锁在了时光中，等待着人们通过浮现的一砖一瓦、一瓷一器来窥见它过去的一抹辉煌，向世界耐心讲述南宋的故事。幸而，有一批人做到了！面对复原德寿宫这样的巨大工程，又加上疫情的肆虐，考古学家、建筑师、工人们的付出不可想象。

　　To the north of Wangjiang Road, east of Zhonghe River, west of Zhijixiang Lane, and south of Meihua Stele, this plot of land, located in the center of Hangzhou city as the former site of Hangzhou Tool Factory, has grown wild grass year after year. What Hangzhou people may not know is that 800 years ago, in the 32nd year of the Shaoxing reign of the Southern Song Dynasty, Emperor Gaozong left the Phoenix Palace and moved into the Deshou Palace, which was the predecessor of this barren land in the Southern Song Dynasty. But it is obvious that as the capital of the Southern Song Dynasty, Hangzhou has lost much of its material cultural heritage after eight hundred years of changes. The imperial city of the Southern Song Dynasty has disappeared completely, and the entire Phoenix Mountain is covered in dense forests. The Lin'an City, which once had a royal atmosphere, has been layered underground like time with the changing times and urban construction. Underneath the ground, over 800 years ago, Lin'an City left countless ruins in its commercial life. These ruins are locked in time, waiting for people to glimpse its past glory through every brick, tile, porcelain, and artifact that emerges, patiently telling the story of the Southern Song Dynasty to the world. Fortunately, a group of people have achieved it! Faced with the enormous project of restoring the De Shou Palace, coupled with the raging epidemic, the efforts of archaeologists, architects, and workers are unimaginable.

　　朴实无华？

　　chastity?

　　从外观上看，德寿宫无论是“秦桧旧宅”，还是“建房廊于市”与“委巷厕溷”毗邻，亦是入住这一天，宫门之外仍“污泥没漆”，都让人无法感受到他身为太皇寝宫的尊贵。但入内，有别于一路之隔坊巷里的低矮民居，高耸的屋脊、雄踞的吻兽、高挑的檐角，都展现着皇家气派。此外，那亭台楼阁错落有致，德寿宫完全足以被称为一座构建精巧、别具匠心的皇家园林。毕竟德寿宫占地17万平方米，相对于被称为“南内”的凤凰山大内，它被称为“北内”，它的特殊地位可见一斑。而与高宗初期反对“多事土木台观”“恐有害吾民”的观点相反，当他终于退下皇位，不受金的威胁后，他变得极尽奢华。德寿宫的那座后苑园林，有大龙池、万岁山，前者比拟西湖，后者比拟飞来峰，更有流水潺潺，华舟游荡。可见，作为太皇太后居住的皇宫，德寿宫并不输，其中，我们足以见宋韵精髓。

　　From the appearance, whether it is the "Qin Hui Old Residence" or the "Building Corridor in the City" adjacent to the "Wei Lane Toilet Mixing", on the day of moving in, the De Shou Palace is still "muddy and unpainted" outside the palace gate, making it impossible for people to feel its nobility as the Emperor's sleeping palace. But inside, unlike the low rise houses in the alleys along the way, the towering ridges, majestic kissing beasts, and high eaves all display a royal style. In addition, the pavilions and towers are arranged in a staggered manner, and the Deshou Palace is fully capable of being called a intricately constructed and uniquely crafted royal garden. After all, the Deshou Palace covers an area of 170000 square meters, and compared to the Phoenix Mountain Great Inner, which is known as the "South Inner", it is called the "North Inner", which shows its special status. Contrary to the early opposition of Emperor Gaozong to the idea of "excessive construction of buildings and platforms" and the fear of harming our people, when he finally stepped down from the throne and was no longer threatened by gold, he became extremely luxurious. The backyard garden of Deshou Palace has Dalong Pool and Wansui Mountain. The former is comparable to West Lake, while the latter is comparable to Feilai Peak, with flowing water and wandering boats. It can be seen that as the imperial palace where the Empress Dowager resides, Deshou Palace is not inferior, among which we can see the essence of Song Dynasty charm.

　　宋逝？

　　Song passed away?

　　这是一片空荡荡的土地，相隔数百年后，人们再无缘亲眼看见那些恢宏又不失精巧的建筑了。这片土地上的往事已随时间逝去，那些昔日的建筑亦早已灰飞烟灭。果真如此？其实不然，即使面对漫漫时间的破坏和种种天灾人祸的摧残，仍保留下了部分遗迹。在曾经德寿宫的地下，出土了至少有几十万片残片，从其中代表性的瓷器来看，宋代瓷器的审美由繁华归于沉静，南宋官窑的器物，造型大方，釉色莹澈如玉，都在追求一种端庄、凝重、幽玄、典雅之美。中国艺术发展到宋，十分推崇“清”的境界，陶器偏爱天青、月白等素雅洁净之色。除此之外，宋代的诗词也以清空、平淡为美，山水画，墨色取代丹青，成为主要表达方式。创作者们不约而同地舍弃华丽而选择平淡，形成南宋风韵的特有风格。“清”，不是枯竭寡淡，而是一种高洁的审美状态，不是对世俗的否定，而是超越。而今那些从无数残片复原起来的器物，仿佛都在诉说着逝去光阴里的故事。德寿宫作为一个点，让我们与过去的南宋有了连接。

　　This is an empty land, and after hundreds of years, people will no longer have the chance to see those magnificent yet exquisite buildings with their own eyes. The past on this land has passed away with time, and the buildings of the past have long been destroyed. Is that really the case? In fact, even in the face of prolonged destruction and various natural and man-made disasters, some relics have still been preserved. At least hundreds of thousands of fragments have been unearthed underground in the former Deshou Palace. From the representative porcelain, it can be seen that the aesthetic of Song Dynasty porcelain has shifted from prosperity to tranquility. The objects from the Southern Song official kilns have elegant shapes and clear glaze colors, all pursuing a dignified, solemn, mysterious, and elegant beauty. Chinese art developed to the Song Dynasty and highly valued the realm of "cleanliness". Pottery favored simple, elegant, and clean colors such as sky blue and moon white. In addition, the poetry of the Song Dynasty also regarded emptiness and plainness as beauty, and landscape painting and ink color replaced danqing as the main ways of expression. The creators coincidentally abandoned grandeur and chose simplicity, forming a unique style of Southern Song Dynasty charm. 'Qing' is not about being exhausted and indifferent, but a noble aesthetic state, not a denial of the secular world, but a transcendence. Nowadays, those artifacts that have been restored from countless fragments seem to be telling stories from the passing of time. As a point, Deshou Palace connects us with the past Southern Song Dynasty.

　　时隔八百多年，不同的人在做着同一件事，在雪落大地的季节里，建造着德寿宫。正如作者所说：“过去就藏在每个人的脚下，过去也藏在每个人注视未来的目光里，而每一位踏访德寿宫的人，都将是这个时代的讲述者。”通过这部作品，仿佛在八百年间穿越，德寿宫的历史变迁和当下遗址保护的串联，连接起一座城市的前世今生，让我们感知到了独属南宋的风雅气质和独属杭州的文化底蕴。

　　After more than 800 years, different people are doing the same thing, building the Deshou Palace in the season of snow falling on the earth. As the author said, "The past is hidden under everyone's feet, and the past is also hidden in everyone's gaze towards the future. Every person who visits Deshou Palace will be the narrator of this era." Through this work, it seems to travel through eight hundred years, connecting the historical changes of Deshou Palace with the current site protection, linking the past and present of a city, allowing us to perceive the elegant temperament of the Southern Song Dynasty and the cultural heritage of Hangzhou.

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